Michael Aw Photo Gallery

Michael Aw, who has published several popular books of his photography, provides a bonus photo gallery of his images.

Aw Inspired

Michael Aw’s early life while growing up in Singapore — he didn’t see the ocean until age 17 — gave few clues that he would one day become one of the most influential print journalists in destination diving and ocean conservation. The author of or major contributor to 43 books, Aw created Ocean Geographic magazine in 2007 and also leads expeditions, often to exotic regions. He now hopes to raise awareness of the folly of shark-finning and the overexploitation of our marine resources.

Silky sharks often congregate at the edge of the continental dropoff at Jardines de la Reina.

Shooting in a Turbid Environment

Turbid water can be a challenging environment for underwater photographers, particularly when shooting wide angle. Turbid water may not appear brown or green from the surface — in many cases the water looks entirely different once we drop in and begin the dive. All water is turbid to some degree. Understanding what causes turbidity and knowing how to work around it can make a world of difference when shooting in those conditions. One of the best skills a photographer can develop, particularly for shooting wide angle, is learning how to read water quality.

Keyhole compositions work well for eliminating the chance of backscatter.

Photography in the Plimsoll Interface

Underwater photographers sometimes refer to the narrow water zone where a subject splits the surface as the Plimsoll interface. Opportunities abound here for dynamic shots achieved by angling the camera above or below the waterline. The dedicated and creative underwater photographer can capture traditional over-under split shots with a standard straight meniscus and dramatic reflections from below of the subject, the sunlight or both as part of a modified split shot or a fully underwater picture.

sharks underwater at sunset with pinkish-purple sky

Answering the Call

In Wild Seas, his new book published by National Geographic, Thomas Peschak ponders his career path: “My life as a National Geographic photographer has been socially isolating, emotionally exhausting and physically demanding — but it is the most rewarding pursuit I can imagine. I have cried from loneliness, felt nauseous with fear and cursed in frustration. But every time I thought I was at my limit, I discovered untapped reservoirs of strength, creativity and passion. This is not a job; it’s a calling.”

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Fred Buyle

A STATEMENT ON FRED BUYLE’S WEBSITE briefly explains his approach to underwater photography: “To take his pictures and videos, Fred uses a simple formula: the water, available light, a camera, […]

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Underwater Smartphone Photography

LIKE ANOTHER UNIVERSE, the underwater world is full of whimsical inhabitants, sinuous sharks, and huge mammals that have always fascinated people and probably always will. As a photographer, you enter […]

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Gutsy Tuason: Blackwater Magic

I FIRST MET SCOTT “GUTSY” TUASON at a Diving Equipment and Marketing Association (DEMA) trade show in 2016. “You need to see his blackwater work. You’ll be blown away,” …

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Beguiling Backgrounds

UNDERWATER PHOTOGRAPHERS SPEND ENORMOUS AMOUNTS OF TIME, energy, and money pursuing subjects. We often select our dive destinations with specific subjects in mind. Sharks or manta rays …

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